15-й среднеметражный международный кинофестиваль LA CABINA, который проходит в Валенсии (Испания) с 8 по 18 ноября 2022 года.
15-й Бангалорский фестиваль короткометражных фильмов — это движение за признание и популяризацию работ молодых и опытных кинематографистов со всей Индии и мира. Скромный путь BSFF начался в 2012 году в ознаменование 100-летия индийского кино и в знак признания вклада киноиндустрии Каннады в развитие кинематографа в Индии. Фестиваль предоставляет начинающим и профессиональным кинематографистам платформу для демонстрации своих талантов с помощью возможностей налаживания связей и маркетинга в киноиндустрии.
Цель фестиваля — создание культуры короткометражного кино в Индии, продвижение начинающих кинематографистов, развитие источников дохода от короткометражных фильмов и превращение производства короткометражных фильмов в коммерческое предприятие. BSFF-12 и 25 прошли с большим успехом при активном участии кинематографистов со всей страны и из-за рубежа.
Цель BSFF-26 — стать еще больше и лучше при участии кинематографистов. В этом году фестиваль представит больше мастер-классов и мастер-классов. Рынок мини-кассовых фильмов станет изюминкой для тех кинематографистов, которые хотят заняться производством полнометражных фильмов. Конкурс короткометражных фильмов и фестивальная программа доставят удовольствие.
Мальтийский фестиваль короткометражного кино уже тринадцатый год, и его судейская коллегия принимает решение. Это позволяет режиссёру и зрителю понять производственную ценность каждой записи и его способность общаться со своей аудиторией
Итоговая программа состоит из наградных презентаций.
Фестиваль имеет широкую аудиторию, 30,000 +
Международный фестиваль короткометражных фильмов в Монтекатини, Промоссо далла Federazione Italiana Cineclub (Fedic), con le sue 68 edizioni è uno dei Festival di cortometraggi più longevi в Европе.
All'inizio, эпоха принципала, ma a partire dagli anni '90, quando il Concorso Nazionale spostato в un'altra piccola città della Toscana, Сан-Джованни Вальдарно, Montecatini si è affermata come vetrina di riferimento a livello internazionale, desionale osa di presentare un enorme Панорама ди nuove produzioni инцентрировать су diversi generi e tendenze.
L'obiettivo principale del Montecatini Международный фестиваль Cortometraggio è quello di dare una visione completa del corto nel панорама cinematografico internazionale, nella sua estensione più ampia, puntando sempre alla qualità dei film e non all'aspetto гламур offrendo una bellissima расположение в Тоскана голубь discutere magari trovare collegamenti per lavori futuri.
Национальный президент Итальянской Республики признает за собой суа адежоне и медальи международного фестиваля Кортометраджио ди Монтекатини.
Ultimo ma non meno importante: registi приходят Франко Пьяволи e Нанни Моретти sono да segnalare tra i registi emergenti nei primi 60ties Международный фестиваль короткометражных фильмов в Монтекатини.
Since 2003 the international Festival SIGNES DE NUIT is active in Paris, Berlin, Saarbrücken and with special screenings world wide. The festival in Paris actually presents around 300 films coming from around 50 countries at different places in Paris. In Berlin the festival will be performed in the legendary cinema Babylon.
The International Festival SIGNES DE NUIT based in Paris is made up of films, which reflects new views, original imagery and critical approach to the crucial points of the modern human existence. It is a place for cinema that expands its own boundaries, that is astonishing, different, potentially free from the pressure of tradition, ready to give itself to the unpredictable experimentation.
The minor costs of digital production makes an independant- from comercial influences and any kind of censorship- production possible. These independant productions create an alternative, an artistic space very subtle and accessible to all, in contrast to what mass media offer.
This opposition and the preservation of the free cultural space is the goal of the International Festival Signes de Nuit, which has realized screenings and interventions in 29 different countries including Algeria, Australia, Chile, Cuba, Lebanon, Lithuania, Indonesia, Italy, Japan, Peru, Russia, Tunisia, Turkey and the United States beside the screenings in main festival in Paris.
The nominated director (producer, or another designated representative from the production team) will be invited to Washington, DC to attend a 4-day festival and other related activities including a post-screening Q&A with the audience and filmmakers’ forum and discussion panel. The festival committee will provide accommodation and food subsidies for the duration of DCCFF to the best of its ability. Finalists are independently responsible for obtaining a visa for travel to the U.S. and travel insurance.
ONLY FOR SPANISH FILMMAKERS // SOLO PARA CINEASTAS ESPAÑOLES.
2nd edition
Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees
Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban
Mission / description MUFF:
The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.
Ассоциация кинофестивалей в Айербе запускает второй этап «Международного фестиваля короткометражных фильмов Villa de Ayerbe».
Начиная с 19-го года, когда в организацию вошли новые члены, мы хотим придать фестивалю большой импульс. В дополнение к международному конкурсу мы создали новый раздел, посвященный науке и исследованиям, чтобы привлечь больше внимания к событию. Начиная с этого года награды теперь называются «CAJAL Awards».
Мы хотим продолжить реализацию идеи сотрудничества с соседними городами.
Это сотрудничество осуществляется следующим образом: все отобранные короткометражные фильмы могут быть показаны на местном уровне одновременно с развитием фестиваля, а их голоса будут присуждены публичной премии.
Правительственные организации и первый в мире фестиваль фильмов молодых режиссеров о международном развитии.
Цели фестиваля
Поощряйте кинематографистов и творческих людей к совместной работе по повышению осведомленности о трех столпах свободы путем показа фильмов, созданных на эти темы.
Три столпа свободы и окружающей среды
* Избавление от нужды: благодаря достижению Целей устойчивого развития ООН
* Избавление от страха: благодаря усилиям по обеспечению коллективной безопасности и мира.
* Свобода жить в достойных условиях: во Всеобщей декларации прав человека на основе принципов справедливости для всех.
Развитие: бедность, жилье, здравоохранение, образование, гендерная проблематика, управление, финансы
Безопасность человека: предотвращение конфликтов, урегулирование конфликтов, поддержание мира, жилье, миграция
Права человека: гендер, образование, достоинство, участие
Окружающая среда: экологические проблемы, подготовка к стихийным бедствиям и их последствия, устойчивость, новые технологии
Короткометражные фильмы: любое из вышеперечисленных
Молодые кинематографисты: до 25 лет
IMAGINARIA — первый и единственный международный фестиваль анимационных фильмов в регионе Апулия.
За свою историю Imaginaria значительно выросла, заняв важное художественное и социальное положение в сфере международных фестивалей.
Фестиваль «людей и мест», Imaginaria удается создать семейную атмосферу среди общественности и профессионалов, которые приходят в кинотеатры под открытым небом Conversano. Imaginaria, которая характеризуется значением «чисел» и отличным качеством тысяч работ международного уровня, является проект по продвижению, распространению, киноподготовке, который направлен на продвижение независимых авторов анимационных фильмов. Imaginaria намерена инициировать, в долгосрочной перспективе, все возможные синергии в сообществе, помогая создать социально-экономические возможности в этом районе и в то же время продвигать культуру анимации. Фестиваль, следовательно, является проектом, который направлен на распространение использования и знаний анимационных фильмов не только во время мероприятия, проводимого каждый год в Конверсано, но и в местах и во время года, используя различные сети, состоящие из других фестивалей и выставок (национальных и международных), к которым Imaginaria участвует или который он является промоутером.
36-й Международный фестиваль документальных, короткометражных и экспериментальных фильмов «Послание к человеку» проводится с 16 по 24 октября 2026 года в Санкт-Петербурге, Россия.
История фестиваля «Послание к человеку» – это три десятилетия развития кино. Фестиваль основан в 1989 году в Ленинграде режиссером Михаилом Литвяковым. Сегодня он является Почетным Президентом кинофестиваля. В 2010 году Президентом фестиваля стал Алексей Учитель – известный режиссер документальных и игровых фильмов.
За эти годы гостями фестиваля были главные лица мирового кино: Вернер Херцог, Ульрих Зайдль, Клод Ланцманн, Изабель Юппер, Фанни Ардан, Аньес Варда, Мира Наир, Паоло Соррентино, Алан Берлинер, Эрик Робертс, Джонатан Розенбаум, Абделатиф Кешиш, Удо Кир и многие другие.
В центре фестивальной программы – три конкурса: международный, национальный и экспериментальный. Полнометражные и короткометражные работы на равных правах соревнуются за Гран-при фестиваля.
Ежегодно «Послание к человеку» привлекает в кинотеатры Петербурга тысячи людей.
The Balkan Film Food Festival is not a festival only about Food and Culinary. The Balkan Film Food Festival is about Balkan Film Production. The Festival intent is to create a climate of understanding of friendship and collaborations among Balkan countries. All guests sit on a common table and taste our common Balkan culinary drink the same wine.
Cuisine is part of this event and it aims at having better friendly contacts among the participants.
Learn more at http://www.miragefilmfest.com
Film Competition Categories
FEATURE-LENGTH FILMS
The Festival welcomes submissions for feature films in narrative and documentary categories. All selected features will participate in the festival’s MAIN EVENT competition. Entering all films into the MAIN EVENT puts everyone on an even playing field in the completion and recognizes the best from across all different styles and genres in the independent film community. In addition, Mirage Film Festival offers several competitive sub-categories designed specifically to recognize excellence within various genres and help promote the various styles, methods and techniques that populate the ever expanding world of cinema.
Main Event - main competition program for all eligible feature-length films
Darkest Before the Dawn - dedicated to showcasing feature length genre films
Cinema Mavericks - feature-length films with budgets less than $1.5 million USD
Newcomer - available exclusively for first-time, feature-length directors.
WorldCine - feature-length films which were financed and filmed outside of North America
The Dockect - non-fiction feature-length documentary films
SHORT-LENGTH FILMS
The Festival offers a robust competition program for short films, divided into institutional and non-institutional categories.
Institute Of Cinema - highlighting the very best in student produced short films
School Of Hard Takes - giving independently produced short films a voice of their own
NEW MEDIA MARVELS - NEW MEDIA/WEBISODE COMPETITION
New Media Marvels is designed to recognize and reward exceptional work in the expanding new media landscape. With the increasing number of success stories of TV series, films and documentaries being developed and produced based on new media content, the Festival's New Media Marvels program provides a solid forum for these new age filmmakers to showcase their stories and network with distributors, producers and industry executives.
Arlington International Film Festival (AIFF) is an award winning organization with its mission being to foster appreciation for different cultures by exploring the lives of people around the globe through independent film. In 2014 AIFF was awarded the Community Recognition Award by the Arlington Martin Luther King Committee, in 2013 the Alan McClennen Community Arts Award by the Arlington Center for the Arts and the Gold Star Award by the Massachusetts Cultural Council. Through the founding of AIFF, the mission has also focused on enriching the community and broadening the view of our world and ourselves. AIFF believes that the arts are here to connect us, to communicate across boundaries, and touch our common humanity.
AIFF is open to national and international filmmakers. Whether professional or a first time filmmaker, we welcome innovative, original films with unique perspectives. Many of our selected films have been nominated for Academy Awards; i.e. BOTSO: The Teacher from Tbillisi directed by Tom Walters, Elena directed by Petra Costa, and Documented directed by Jose Antonio Vargas. We Still Live Here directed by Anne Makepeace was chosen by the U.S. State Department to screen around the world.
The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.
People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.
Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.
These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.
As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.
