第15回バンガロール短編映画祭-26は、インドおよび世界中の若くて経験豊富な映画製作者の作品を表彰し、普及させる運動です。 BSFFの謙虚な旅は、インド映画100周年を記念し、カンナダ語映画産業がインド映画の発展に貢献したことを称えるために2012年に始まりました。 映画祭は、意欲的でプロフェッショナルな映画製作者に、映画業界におけるネットワーキングとマーケティングの機会を提供し、才能を披露するためのプラットフォームを提供します。
映画祭の目的は、インドにおける短編映画文化の創造、新進気鋭の映画製作者の促進、短編映画の収益源の開発、短編映画製作を営利事業にすることです。 BSFF-12から25は、国内外から多くの映画製作者が参加し、大成功を収めました。
BSFF-26の目標は、映画製作者の参加を得て、さらに大きく、より良いものにすることです。 今年の映画祭では、さらに多くのワークショップとマスタークラスを導入する予定です。 ミニボックスオフィス・フィルム・マーケットは、長編映画の制作に挑戦したい映画製作者にとってはハイライトとなるでしょう。 短編映画コンテストと映画祭のプログラムに参加するのも楽しいでしょう。
モンテカティーニ国際短編映画祭, プロモッソ・ダッラ・フェデラツィオーネ・イタリアーナ・シネクラブ (フェディック), コン・ル・スエー 68 edizioni è ウノ・デイ・フェスティバル・ディ・コルトメトラージ più longevi ヨーロッパで.
アリニツィオ, 時代プリンシパルメンテ・デスティナート・アッレ・オペレ・ナツィオナーリ, ma a partire dagli anni '90, アンアルトラ・ピッコラ・チッタ・デッラ・トスカーナでクアンドイル・コンコルソ・ナツィオナーレ・スポスタート, サン・ジョヴァンニ・ヴァルダルノ, モンテカティーニ・ヴァッフェルマータはヴェトリーナ・ディ・リフェリーナを来ますデシデローザ・ディ・プレゼンターレ・ウン・エノルメパノラマディヌオーヴproduzioni集中SUダイヴェルシジェネリ電子テンゼ.
モンテカティーニ国際映画祭インテルナツィオナーレ・ディ・ケッロ・ディ・ヴィジョーネ・ヴィジョーネ・コンプリーラ・デル・コルトネルパノラマシネマートグラフィコ・インテルナツィオナーレ, ネッラ・スア・エステンシオーネ・ピオ・アンピア, プル・アッラ・クオリータ・デイ映画トスカーナでの場所ラヴォリフューリあたり鳩disutere電子マガリ・トロヴァレ・コレガメンティ.
オグニ・アンノ・イル・プレジデンテ・デッラ・イタリアーナは、ラ・スア・アデシオーネ・エ・ラ・スア・メダリア・アル・フェスティバル・インテルナツィオナーレ・デル・コルテトラッジオ・ディ・モンテカティーニを認めます。
ウルティモミリアンペア非メノimportante: レジディは、フランコ・ピアヴォリ電子ナンニ・モレッティソノ・ダ・segnalareトラIは、モンテカティーニ国際短編映画祭をregi emergentiネイプリミ60ties来ます.
Since 2003 the international Festival SIGNES DE NUIT is active in Paris, Berlin, Saarbrücken and with special screenings world wide. The festival in Paris actually presents around 300 films coming from around 50 countries at different places in Paris. In Berlin the festival will be performed in the legendary cinema Babylon.
The International Festival SIGNES DE NUIT based in Paris is made up of films, which reflects new views, original imagery and critical approach to the crucial points of the modern human existence. It is a place for cinema that expands its own boundaries, that is astonishing, different, potentially free from the pressure of tradition, ready to give itself to the unpredictable experimentation.
The minor costs of digital production makes an independant- from comercial influences and any kind of censorship- production possible. These independant productions create an alternative, an artistic space very subtle and accessible to all, in contrast to what mass media offer.
This opposition and the preservation of the free cultural space is the goal of the International Festival Signes de Nuit, which has realized screenings and interventions in 29 different countries including Algeria, Australia, Chile, Cuba, Lebanon, Lithuania, Indonesia, Italy, Japan, Peru, Russia, Tunisia, Turkey and the United States beside the screenings in main festival in Paris.
The nominated director (producer, or another designated representative from the production team) will be invited to Washington, DC to attend a 4-day festival and other related activities including a post-screening Q&A with the audience and filmmakers’ forum and discussion panel. The festival committee will provide accommodation and food subsidies for the duration of DCCFF to the best of its ability. Finalists are independently responsible for obtaining a visa for travel to the U.S. and travel insurance.
2nd edition
Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees
Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban
Mission / description MUFF:
The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.
アイェルベ映画祭協会は、「ヴィラ・デ・アエルベ国際短編映画祭」の第2ステージを開始します。
第19回以降、新しいメンバーが加わり、映画祭を大きく盛り上げたいと考えています。 国際コンペティションに加えて、イベントの認知度を高めるため、科学と研究に特化した新しいセクションを設けました。今回以降、このアワードは「CAJAL Awards」と呼ばれるようになりました。
近隣の町とのコラボレーションというアイデアは今後も続けていきたいと考えています。
このコラボレーションはこうして行われている。選ばれたショートフィルムは、映画祭の展開と同時に地元でコラボレーターとして上映され、その投票によって公的な賞が授与される。
政府機関、そして若手監督による国際開発に関する世界初の映画祭。
フェスティバルの目的
これらのテーマに基づいて制作された映画の上映を通じて、映画製作者/クリエイティブが協力して、自由の三本柱に対する意識を高めるよう奨励してください。
自由と環境の三本柱
* 貧困からの自由：国連の持続可能な開発目標の達成を通じて
* 恐怖からの自由：集団の安全と平和をもたらすための努力を通じて。
* 尊厳をもって生きる自由：世界人権宣言によると、すべての人に正義を適用することで。
開発:貧困、シェルター、医療、教育、ジェンダー、ガバナンス、金融
人間の安全保障:紛争予防、紛争解決、平和維持、シェルター、移住
人権:ジェンダー、教育、尊厳、参加
環境：生態学的問題、自然災害への備えと影響、持続可能性、新技術
ショートフィルム:上記のいずれか
若手映画製作者：25歳未満
イマジナリアはプッリャ地方で最初で唯一の国際アニメーション映画祭です。
その歴史の中で、Imaginariaは大いに成長し、国際フェスティバル部門で重要な芸術的、社会的地位を獲得しました。
祭り「人と場所」, Imaginariaはコンヴェルサーノのオープンエアの映画館に来る公共と専門家の間で家族の雰囲気を作成するために管理します. Imaginaria,「数字」の重要性と国際的な立場の作品の何千もの優れた品質によって特徴付けられる, 促進するためのプロジェクトです, 普及, 映画のトレーニング, アニメーション映画の独立した著者を促進することを目的と. Imaginariaは長期的な視点で、地域の社会経済的機会を創出すると同時に、アニメーションの文化を促進するのを助けるコミュニティのすべての可能な相乗効果を引き起こそうとしています。 フェスティバル, したがって, イベント中だけでなく、アニメーション映画の使用と知識を広めることを目的としたプロジェクトです。, コンヴェルサーノで毎年開催, だけでなく、場所や異なるネットワークを使用して、年の時間, 他の祭りや展示会から成る (国内および国際) どのイマジナリアが参加するか、それがプロモーターです。
ドキュメンタリー、短編小説、アニメーション、実験映画の第36回メッセージ・トゥ・マン国際映画祭は、2026年10月16日から24日まで、ロシアのサンクトペテルブルクで開催されます。
長年にわたり、この映画祭にはヴェルナー・ヘルツォーク、ウルリッヒ・ザイドル、クロード・ランズマン、イザベル・ユペール、ファニー・アーダン、アニエス・ヴァルダ、ミラ・ネア、パオロ・ソレンティーノ、アラン・ベルリンナー、エリック・ロバーツ、ジョナサン・ローゼンバウム、アブデラティフ・ケチェ、ウドなど、世界の映画の著名人が出演してきました。Kier、その他多数。
30年にわたる映画開発の歴史を持つメッセージ・トゥ・マンは、1989年に映画祭の名誉会長を務める映画監督ミハイル・リトビャコフによってレニングラードで設立されました。
2010年には、ドキュメンタリーや長編映画の監督として有名なアレクセイ・ウチテルが映画祭の会長に就任しました。
映画祭のプログラムは、国際コンペティション、国内コンペティション、エクスペリメンタルコンペティションという3つのコンペティションを中心に展開され、長編映画と短編映画の両方が映画祭のグランプリを争うためのプラットフォームとなっています。 メッセージ・トゥ・マンには、毎年何千人もの映画ファンがサンクトペテルブルクに集まります。
The Balkan Film Food Festival is not a festival only about Food and Culinary. The Balkan Film Food Festival is about Balkan Film Production. The Festival intent is to create a climate of understanding of friendship and collaborations among Balkan countries. All guests sit on a common table and taste our common Balkan culinary drink the same wine.
Cuisine is part of this event and it aims at having better friendly contacts among the participants.
Learn more at http://www.miragefilmfest.com
Film Competition Categories
FEATURE-LENGTH FILMS
The Festival welcomes submissions for feature films in narrative and documentary categories. All selected features will participate in the festival’s MAIN EVENT competition. Entering all films into the MAIN EVENT puts everyone on an even playing field in the completion and recognizes the best from across all different styles and genres in the independent film community. In addition, Mirage Film Festival offers several competitive sub-categories designed specifically to recognize excellence within various genres and help promote the various styles, methods and techniques that populate the ever expanding world of cinema.
Main Event - main competition program for all eligible feature-length films
Darkest Before the Dawn - dedicated to showcasing feature length genre films
Cinema Mavericks - feature-length films with budgets less than $1.5 million USD
Newcomer - available exclusively for first-time, feature-length directors.
WorldCine - feature-length films which were financed and filmed outside of North America
The Dockect - non-fiction feature-length documentary films
SHORT-LENGTH FILMS
The Festival offers a robust competition program for short films, divided into institutional and non-institutional categories.
Institute Of Cinema - highlighting the very best in student produced short films
School Of Hard Takes - giving independently produced short films a voice of their own
NEW MEDIA MARVELS - NEW MEDIA/WEBISODE COMPETITION
New Media Marvels is designed to recognize and reward exceptional work in the expanding new media landscape. With the increasing number of success stories of TV series, films and documentaries being developed and produced based on new media content, the Festival's New Media Marvels program provides a solid forum for these new age filmmakers to showcase their stories and network with distributors, producers and industry executives.
Arlington International Film Festival (AIFF) is an award winning organization with its mission being to foster appreciation for different cultures by exploring the lives of people around the globe through independent film. In 2014 AIFF was awarded the Community Recognition Award by the Arlington Martin Luther King Committee, in 2013 the Alan McClennen Community Arts Award by the Arlington Center for the Arts and the Gold Star Award by the Massachusetts Cultural Council. Through the founding of AIFF, the mission has also focused on enriching the community and broadening the view of our world and ourselves. AIFF believes that the arts are here to connect us, to communicate across boundaries, and touch our common humanity.
AIFF is open to national and international filmmakers. Whether professional or a first time filmmaker, we welcome innovative, original films with unique perspectives. Many of our selected films have been nominated for Academy Awards; i.e. BOTSO: The Teacher from Tbillisi directed by Tom Walters, Elena directed by Petra Costa, and Documented directed by Jose Antonio Vargas. We Still Live Here directed by Anne Makepeace was chosen by the U.S. State Department to screen around the world.
The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.
People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.
Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.
These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.
As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.
