XVI 영화제: 유년기 및 청소년기 -2025는 어린이, 청소년, 청소년을 위한 순환 및 시청각 교육을 위한 공간으로 구성된 축제로, 전시, 레크리에이션 활동, 워크숍, 패널 및 토론 등을 통해 보고타를 시청각 건설을 통해 가시적이고 주인공적이며 권리충만한 아동과 청소년의 관점에서 라틴 아메리카의 선구적인 도시로 홍보하는 것을 기본 목표로 합니다.
시청각 콘텐츠의 전시 및 배포는 무료입니다. 콘테스트는 2025년 9월 2일부터 6일까지 개최됩니다. 어린이와 청소년은 국내 및 국제 애니메이션 및 소설 단편 영화, TV 시리즈, 콜롬비아 어린이들이 만든 시청각 작품에 수여되는 “FESTICINE AWARD” 부문으로 구성된 시청각 프로그램을 이용할 수 있습니다. 참가자들은 “시민 문화와 환경”이라는 주제적 축에 대해 고찰하는 여가 활동을 동반할 예정입니다.
촐피신은 2002년 키토에서 열린 최초의 순회 어린이 및 청소년 영화제를 시작으로 그 작업을 시작했습니다. 이 프로젝트가 받은 따뜻한 환영 덕분에 이 페스티벌은 7월부터 9월까지 연례 행사가 되어 문화 활동이 거의 없는 지역에 교육적이고 재미있는 행사를 무료로 제공할 수 있게 되었습니다.
이러한 긍정적인 반응에 힘입어 촐피신은 2004년 6월에 문화 및 교육 비영리 재단이 되었습니다. 10년 이상의 경험을 바탕으로, 촐피신은 안정적인 제안과 작업 방법론에 도달하여 전국적으로 확산되었습니다. 이 페스티벌은 코칭 스태프, 다양한 커뮤니티에서 일하는 문화 관리자, 대규모 팔로워 그룹을 만드는 것을 장려했습니다.
Chulpicine은 사회 개입 도구로 사용되는 영화, 시청각, 커뮤니케이션 및 인터넷과 관련된 다양한 분야의 교육 및 훈련을 위해 기관, 지역 사회 단체 또는 아웃리치 종사자를 위한 일련의 활동 및 워크숍을 설계했습니다. 이러한 활동과 워크숍은 젊은이들의 역량을 활용하고 영화 및 시청각 작업을 통해 활동적이고 참여적인 사회 촉진자 네트워크를 구축함으로써 학습 커뮤니티를 형성하는 출발점이었습니다.
재단은 교육, 개입, 공공 장소 배정, 보급 및 제작과 같은 프로그램 라인을 수행합니다. 이 작업은 커뮤니티 네트워크를 육성하여 커뮤니티의 다양한 이해 관계자에 대한 커뮤니케이션 기술, 분석 및 성찰을 개발하여 조직 및 자기 개발 기술을 강화하는 대안입니다.
재단에는 현재 여러 분야의 팀이 프로젝트를 진행하고 있습니다. 이 사람들은 심리학자, 프로듀서, 프로그래머, 커뮤니케이터, 회계사 등 다양한 분야를 담당합니다.
또한 매년 약 12명의 직원이 고용되어 활동 수행을 지원합니다. 이 그룹은 과거에 페스티벌에서 일했던 사람들과 이 그룹에 가입하고자 하는 몇몇 새로운 젊은이들로 구성되어 있습니다. 또한 매년 다양한 단체의 자원봉사자들의 지원을 받고 있습니다.
국제 아프리카 영화제 “아난세”는 흑인 인구에 대한 문화적, 사회적 측면을 가시화하는 것을 목표로합니다. 새로운 영화 제작자에게 대체 운동을 알리고 전 세계의 아프리카 후손에 대한 비디오를 만들 수있는 서킷의 일부로 일합니다.
“아난세 (Ananse)” 는 전국의 영화 제작자들에게 흑인 공동체의 전망을 대표하는 눈에 보이는 공간을 만들 수 있는 가능성을 초대하는 최초의 축제입니다.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
Columbia Gorge International Film Festival takes place in the pristine Pacific North West along the Columbia River, at the gateway of the Columbia River Gorge National Scenic Area. Founded as the Washougal International Film Festival we have grown and stretched ourselves along the Columbia River to incorporate more of our beautiful natural surroundings and community members. Our festival is shaped by the artists and film makers involved. We are growing organically thanks to the incredible involvement by our alumni and participating artists. We are an international event with a community focus, CGIFF is open to all film makers and artists working within the medium of film. CGIFF combines public screenings with small forums to engage in a dialogue of social issues and cultural exchange through the powerful language of film in all genres. CGIFF showcases a variety of local, national and international films, aiming to share a broad range of films representing current affairs and relevant topics that affect our communities. Encouraging student, independent and professional works for screening. We are here to share stories and the power and art of film. Films will be valued on the merits such as; creativity, ingenuity, story, attention to detail, and the ability to challenge us and make us feel. Our goal is to bring together a community of creative, inspiring, individual thinkers who encourage us, inspire us, generate thought, stir our laughter, bring about smiles, make us cry, enrage us, entertain us and explore our emotions, values and purpose.
With unique outdoor screenings and live music events, CGIFF is full of surprises. CGIFF even sets aside days in the middle of the festival for white water rafting, kayaking, paddle boarding, hiking and other incredible activities in the Pacific North West!
Columbia Gorge International Film Festival will take place over an extended period this year with focus on three weekends in August with screenings at a variety of venues with individual themes determined by the films accepted into the festival. This will vary from year to year. We will honor films and film makers with a range of Awards for outstanding Achievements in their respected field.
CGIFF is a non-profit 501 (c) (3) and operates through grants and donations from individuals and corporations, membership, private sponsorship and submission fees.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
ACCIONS 3E 비영리 문화 협회는 2023년 11월 2일부터 10일까지 개최되는 제29회 선시네 국제 환경 영화제를 소집 및 조직합니다.
이전에 FICMA로 알려졌던 SUNCINE은 1993년에 처음 개최되었으며, 세계에서 가장 오래된 환경 영화제로 자리매김했습니다. 이 장르의 기준이 되었습니다.
SUNCINE은 멀티 스크린 페스티벌 (대면, 온라인 및 텔레비전) 입니다. 주요 목표는 환경 현황, 생물 다양성 및 지구의 지속 가능성에 대한 인식을 높이기 위해 환경 시청각 작품을 홍보, 보급 및 홍보하는 것입니다.
The V edition of CORTOSPLASH will take place from September 20 to 22 2017. During the period of the festival will be organized events and collateral activities such as retrospectives, monographs, sections out of competition, photo exhibitions, meetings with actors, writers, artists, musicians, filmmakers and journalists.
FROM THE HEART OF HOLLYWOOD, SINCE 2015, WEB SERIES FESTIVAL GLOBAL, CELEBRATING GREAT CONTENT
WEB SERIES – PILOTS – SCRIPTS - TRAILERS - STUDENT - ONE PAGE FEEDBACK
SUBMIT TODAY! $5000.00 in awards
10th Annual Web Series Festival Global
September 8, 2023 Online Screenings & Awards with presenters from around the globe.
• All Genres accepted
• For A Global Community Of Content Creators
• Helping Creatives Shape the Future of TV
• Entries considered for Grand Prize or Category Winner $5000.00 in Awards
• We accept links to view online
• IMDB official event http://www.imdb.com/event/ev0003670/
SUBMISSIONS & AWARDS
A great opportunity for anyone wanting to
gain more exposure for their web series. There are four
categories that will be judged in this competition which are
Web Series Scripts (all lengths and formats)
Web Series
Pilot
Trailers
Student
One Page Feedback
Content can be submitted with or without distribution.
All submissions will also be considered for the grand prize. $5000.00 in Awards!
You could be the next Award Winner! Submit today. Screenings & Awards are from the heart of Hollywood. For our global community of creators, online screenings & awards.
Genres include but are not limited to: Drama, Comedy, Action, SyFy, Documentary, LGBT, Script, Animation, E/I, Horror. Experimental, Social and more.
• All award wins must be used within one year of festival win date.
Submit early and save.
“We saw the other winners, and there are some truly great series, congratulations!” – Rose of Dolls
“We would like to express our gratefulness for recognition and acknowledgement.” – Cedra Wal
“The biggest prize was just being accepted and considered and I’m entirely grateful for the experience.” – V. Carubia
"Web Series Festival Global is a very well run festival with great
communications with a group of prestigious judges that I’ve found to be more than fair in their selection processes.
I highly recommend this Film Festival to any screenwriter looking to have their Web Series take a major step in the right direction." -
Charles Petrilla
"Good communication. Nice people. Great selections." -Christopher Ramsey
El Festival de Cine latinoamericano de La Plata, FESAALP, con una trayectoria de ocho ediciones se ha transformado en una vidriera para el encuentro, la difusión y la promoción del cine del continente.
Buscamos difundir, exhibir y problematizar el cine de América Latina como lenguaje creativo, artístico e industrial. Además de contribuir al desarrollo de nuevas posibilidades y perspectivas para los cineastas, artistas que se dedican a contar historias y relatos a través del cine.
Afianzar el encuentro entre el público y su cine es el desafío mayor que desde el 2006 nos propusimos, y hoy nos encontramos con un festival con más secciones, películas, invitados, actividades formativas y espectadores.
Creemos que un festival no sólo debe ser un espacio para la exhibición, sino también el lugar que promueva el encuentro e intercambio de experiencias entre los realizadores y ayude a que las obras encuentren nuevos espacios donde poder ser vistas.
Es importante destacar y agradecer que desde el inicio contamos con el apoyo del Instituto Nacional de Cine y Artes Audiovisuales (INCAA), el Instituto Cultural de la Provincia de Buenos Aires, la Facultad de Periodismo y Comunicación Social de la Universidad Nacional de La Plata, la Municipalidad de La Plata, y de otras instituciones y empresas privadas que se siguen sumando y depositando su confianza en el Festival.
El FESAALP crece y se afianza gracias al enorme talento de los realizadores latinos y a la siempre conmovedora pasión de los espectadores por el cine del continente.
Whitespace Gallery is proud to announce the 2015 edition of the Short Shorts video festival with the title Somebody Else’s Problem, and guest curated by Rachel Reese.
Selected video works will be shown at Whitespace Gallery in Atlanta, GA on August 13, 2015. A DVD anthology presenting the selected video works and their authors will accompany the exhibition.
The 2015 Short Shorts prompt uses the lens of the psychological effect known as “Somebody Else’s Problem,” or SEP, as a method to explore reactions and responses to recent American political and social events, particularly current, galvanizing American police brutality and racial discrimination cases. With protests and demonstrations fueling renewed national civil rights concerns, many of us are wondering what actions can make an impact, how to be involved, and how to transfer our individual passivity from SEP syndrome into collective forward action.
Are there connections between the ways we access and share information online, and individual civic engagement thresholds? Specifically, has instantaneous access to digital information and imagery contributed to a state of mere voyeuristic empathy, or even learned helplessness? Overload of visual information can create an environment of apathy and also a false sense of public engagement through passive forms. Does being able to see more conversely contribute to less experiential involvement by allowing screen viewing to stand in for actual bodies in real space? Does it overwhelm any desire for curiosity or engagement? We want to read, see, and learn more, but simultaneously we are restless: attention spans and comprehension rates are rapidly diminishing.
The images we see and share online are of real people in real time and space, happening “live”. Or are they? With the ever-rising influence of the media, questioning who owns and controls information is integral to discussing voice within our democratic system. Which platforms—social media, the Internet, traditional print media—do we believe to be reliable? How has the global ubiquity of smart phones, illuminated, or alternatively hindered, the distribution and perception of current political events – especially those most recently related to abuse of police power and structural racism.
How do we transfer collective energy and motivation into thinking about isolated or localized events as “somebody else’s problem” into collective societal motivations and wants? And then how do we fight against an oligarchal system masquerading as democracy in order to start real conversations and, ultimately, change?
We’re interested in representing video forms in all media, demanding a critical assessment of the systems of information and visualization we have established. What is the artist’s role in shaping public discourse, public outcry, public protest? What is the citizen’s responsibility to engage in radical political ideologies?
We seek short films and video works (no more than 10 minutes) from authors that explore and challenge ideas presented in this prompt, as well as works that open the conversation to include other related social concerns such as housing discrimination and food justice. We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.
후사가스가 국제 영화제 (FICFUSA) 는 후사가스가와 수마파스 지역 주민들에게 고품질의 새로운 스크린, 시점, 영화 작업을 제공하여 여성이 겪는 문제와 문제에 대한 비판적 사고를 장려하는 것을 목표로 합니다. 단기적으로는 젠더 및 여성 주제 영화를 위한 국제 플랫폼이 되어 이러한 주제에 관심이 있는 제작자, 감독 및 배급사를 유치하는 것을 목표로 합니다.
Filmmakers: You are the reason we do this. BendFilm puts its focus on filmmakers first, with awards, several of which will be CASH AWARDS.
Several of the categories are JURIED. A short list of some of our past amazing jurors:
· Sharon Badal, Tribecca Film Festival
· Christian Gaines, Withoutabox at iMDb.com
· Dana Harris, editor in chief & general mgr of IndieWIRE
· Tony Award winner, Gregory Jbara
· Jon Korn, Sundance Film Festival
· Betsy Sharkey, Los Angeles Times Film Critic
· Ondi Timoner, DIG! and We Live in Public
· Gus Van Sant, Filmmaker
· Neal Block, Magnolia Pictures
· Lisa Schwarzbaum, Critic and essayist
· Franklin Leonard, Founder of the Black List
Named one of MOVIEMAKER MAGAZINE's 20 Film Festivals Worth the Entry Fee, the event runs deeper than the marathon film-watching that fills guests' schedules from dawn until, well, dawn. Everyone you see on the sidewalks, in the restaurants and bars makes, cares, or has an opinion about film. It is the serendipitous encounters and ensuing discussions with the filmmakers and fellow passholders that makes the weekend so inspiring, affecting, and infectious.
With its headquarter in Mbombela, the Mpumalanga International Film Festival (MIFF) is strategically located, easily accessible to filmmakers from all over the world.
Mbombela is the capital city of Mpumalanga and a getaway to the province renowned for its fauna and flora such as the Kruger National Park, Panorama Route and vibrant townships. Mpumalanga offers prime locations for any shoot, from television commercials to movies. It also boasts perfect weather and climate conditions as well as solid infrastructure.
Since its inception in 2013, MIFF has provided a platform for filmmakers to showcase their craft in an enabling environment. To date, the festival has shown 139 films of which 89 were international.
The province, being home to the Big Five, Three Rondavels, Blyde River Canyon, God’s Window and world-class infrastructure, including an international airport, is ideally geared and best situated to meet the needs of filmmakers.
In Mpumalanga, Mother Nature and man have combined to ensure filmmakers create perfect filmic moments that last for years.
Mpumalanga International film festival is an annual event showcasing new independent films or recently produced films, high profile and undiscovered talent, established and upcoming filmmakers, student filmmakers, and films from around the world. Festivals normally have two or more screens or venues to showcase films. Accepted filmmakers’ hustle to get their film noticed in the hope of obtaining distribution or favorable media.
최대 15 분 동안 온라인으로 단편 영화를 보냅니다.
사진의 무게는 jpg 형식으로 4Mb를 초과해서는 안 됩니다. 크기는 최소 1,600 픽셀 너비가 될 것입니다. 파일 형식은 품질 JPEG (10) 입니다. 이전 이벤트에 참여했는지 여부는 중요하지 않습니다 .
운전, 마약 소비, 도로, 여행, 수면과 함께 작업을
연결하십시오. 또는 당신이 생각하는 것은 주제에 대한 당신의 견해를 보여줄 것입니다. 크리에이티브, 우리를 놀라게하십시오 .
단편영화와 사진은 2018년 5월 1일부터 11월 30일까지 23:59 에 웹에 게시할 수 있습니다. 특정 제품에 초점을 맞추거나 특정 제품 처방전을 참조하거나 특정 치료법을 홍보하거나 상업용 약물 (이름, 로고, 상자 등) 의 이미지를 사용해서는 안됩니다 .
의사 또는 약사@@
라면 동료들 사이에서 최고의 단편영화와 사진 촬영을 위해 경쟁하게 되며, 이기면 어떤 NGO, 환자 협회 또는 건강 관련 재단이 상을 수상한 지 결정하게 됩니다. 또한 국가 회의에 도움을 교환 할 수 있습니다. 항상 USD를 표시하는 코드에 따라 (책임 감독 단위). 약국 및 운전 섹션 또는 DGT에서 제공하는 정보에서
영감을 받으십시오.
공개 투표: 검증된 이메일 투표만 계산됩니다. 임시 이메일 서비스 사용, 이상한 이메일 패턴, 의심스러운 이메일 또는 동일한 IP 주소의 많은 투표와 같은 의심스러운 행동은 자동으로 경쟁 작업의 자격을 박탈합니다.
Alexandria Mediterranean Countries International Film Festival is an annual event held in Alexandria, Egypt. It aims to disseminate film culture and the progress achieved in various branches of film art and to strength the relations among filmmakers throughout the world in general and Mediterranean countries in particular.
