DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, this coming June, 2–9, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their films in International Competition and In Albanian Competition.
DocuTIFF aims to encouraging documentary film production in Albania and to give more chances to our filmmakers finding cooperation and enabling mutual contacts with their colleagues in our region, to build up a favorable climate creation in Albania and wider in region for development and cooperation of such productions.
DocuTIFF last year screened 180 films in three venues as well as in open air making it the largest film festival of its kind in Albania and one of the most important in the region.
PROGRAM
A. COMPETITION PROGRAM
Competition features four distinct sections:
∆ Feature Film Competition
∆ Mid Length Competition
∆ Short Film Competition
∆ In Albanian Film Competition
B. Open to any filmmaker from around the world DocuTIFF showcases the very best in documentary cinema from around the world, in such programs as Focus, Panorama, Reflecting Albania, RetrospecTIFF, Festival Partners, Special Screenings, Workshops & Masterclasses, Homage & Tributes, international guests together with Galá Awards and other special events.
C. NEW FEATURES – PARALLEL SCREENINGS
DocuTIFF has the pleasure to announce four optional services available for applicants.
The applicants must apply clearly for each one of these new services. Fill the appropriate field in the entry form.
∆ DocuTIFF.TV Competition
With our media partners we offer the possibility to directors screening their films (selected for the official competitive program or not) to the Albanian audience and win the TV audience awards in a yearly competition.
∆ DocuTIFF on Tour
DocuTIFF will act as ambassador for the submitted films and will travel with a selection to other Albanian cities during the year. DocuTIFF will also propose special screenings to other regional festivals in accordance to a specific subject or theme of each collaborative festival.
∆ DocuTIFF Online Library
TIFF offer the online presentation of each film, in a dedicated page, as a part of a film library, with all related information and with the possibility to receive comments from the international Internet audience and industry. The screening of films is open to anyone without charges. The films will be available for viewing in the film library as long as director/producer wishes.
∆ DocuTIFF Market Corner
DocuTIFF will create a market corner during the eight days, where potential buyers can watch all films and make their selection. DocuTIFF will also act as a festival promoter and distributor. In case of financial contract with a distributor, DocuTIFF will receive a fee of 5%.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
칸 영화제 기간 동안 독특한 배경을 가진 콘텐츠 제작자들이 자신의 이야기를 공유하도록 장려하기 위해 만들어진 독립적인 Diversity in Cannes 단편 영화 및 웹 시리즈 쇼케이스는 다양한 영화 (사고, 인종, 성별, 연령, 종교, 신체 능력 및 성적 취향) 영화 제작자의 작품을 홍보하고 영화에서의 업적을 전 세계적으로 인정할 것입니다.
Beyond Borders: Diverity in Cannes와 파트너사가 정한 모든 출품작 중 상위 6~8개 영화 및 웹 시리즈는 경쟁 대상으로 간주되며 2018년 5월 칸 영화제 기간 중 독립 행사에서 열리는 다이버시티 인 칸 단편 영화 및 웹 시리즈 쇼케이스 기간 동안 상영됩니다. 수상자는 심사위원단에 의해 결정되며 쇼케이스에서 발표됩니다.
이 행사는 칸 영화제와 동시에 프랑스에서 열리지만 칸 단편 영화 쇼케이스의 다양성은 독립적인 행사입니다!!
BOSIFEST는 장애인을 위한, 장애인을 위한 국제 다큐멘터리 영화제로, 남동부 유럽에서 유일한 페스티벌로, 헨디 센터 콜로세움이 세르비아에서 올해 16번째로 개최합니다. 지난 15년 전과 마찬가지로 올해도 경쟁 부문과 비경쟁 부문 모두에서 수많은 영화가 대형 스크린에서 상영될 예정입니다. 지금까지 BOSIFEST를 찾은 방문객들은 장애인의 삶을 주제로 하거나 장애인 작가가 만든 850편의 영화를 관람할 기회를 가졌습니다.
BOSIFEST는 영화 상영 외에도 워크숍, 패널 토론 및 원탁 회의 형태의 추가 프로그램을 제공합니다.
Coachella Valley International Film Festival is preparing for our first fantastic festival of independent filmmaking from April 28, 2017, under the stars.
CVIFF is dedicated to celebrating the works of independent filmmakers from around the world, and we pay special attention to ultra low-budget films by first and second-time directors.
The International Inonu University Short Film Festival, which will be held from April 15th to 18th, 2019, welcomes the film lovers in the 12th year ...
인터내셔널 투어 필름 페스트 2026은 단편 영화, 중형 영화, AI 단편 영화 및 장편 영화를 대상으로 합니다. 이 페스티벌은 Cultural CivitaFilm이 후원하고 주최하며, 본사는 비아 토글리아티 넘버 12 -00053- 치비타베키아 (이탈리아 로마) 에 있으며 다음과 공동으로 미박트, 치비타베키아 시, 라치오 지방과 협력합니다. 그리고 에넬.
We are happy to announce the 1st edition of BUZZ CEE International Film Festival, running May 4th to May 8th 2016 in Buzau, Romania.
BUZZ CEE – Buzau International Film Festival is the newest international film festival dedicated to film makers from the CEE region, including Greece and Turkey.
We know the CEE (Central and Eastern Europe) region is home to creative, powerful and entertaining stories and we wish to help sharing them with the world.
We seek films that entertain, inform, create defining stories and break conventions.
Our goal is to showcase and promote these stories and further shed a positive light on our region and its creativity. Either feature films, short films or documentaries, they can all find their place at BUZZ CEE.
We look forward to presenting your films to the public between May 4th – 8th in the beautiful county of Buzau, Romania.
To make the spectators’ and your experience memorable, the festival will include panels, parties, special events and, of course awards.
The festival is being conducted since the year 2001, and its task is to show as widely as possible, the condition of the contemporary audiovisual creations of young authors.
Films from 70 countries were exhibited during the previous festivals.
Student Cuts film festival is aimed at young authors in the early stages of their film careers. Their independence lets them work on unconventional, creative, energetic and subtle ideas. Such films are an important insight into the local environments and everyday themes seen from a different perspective. By joining Student Cuts network the authors not only gain access to the big screen, but a network of audiences all over Europe, contacts with experts and simply gain exposure. In the end, films are made to be watched.
Awarded MovieMaker Magazine's "20 Coolest Film Festivals In the World"
MovieMaker Magazine's "Top 25 Film Festivals Worth the Fee"
The San Francisco Frozen Film Festival (SFFFF) is a Nonprofit 501(c)(3) organization founded in 2006 that is dedicated to creating avenues for independent filmmakers, youth, filmmakers of conscience, and artists from underserved communities to come together and exhibit their work to the widest possible audience.
The San Francisco Frozen Film Festival is held every summer in the heart of the Mission district in San Francisco at the Roxie Theatre. Filmmakers whose work is accepted into the festival are invited to come to the city by the bay in the dead of summer to screen and discuss their work.
In addition to our annual international film festival, the SFFFF Youth Program is specifically focused on demonstrating to underserved youth that existing pathways do exist to help them find a career in the film arts. SFFFF holds annual music and art performances, as well as youth programming and awards presentations.
바슈타 페스트는 서부 세르비아 바지나 바슈타에서 열리는 국제 단편 영화제입니다. 7 월 첫 주말에 열리는 연례 행사이며 4 일 동안 지속됩니다. 창립자 (배우 Jovan Jelisavčić 및 Maja Šuša) 의 직업으로 인해 축제의 주요 관심 지점은 감독과 배우 간의 협력입니다. 우리는 이러한 공동 예술적 노력의 품질에 초점을 맞추는 것이 단편 영화제 중 바슈타 페스트의 포지셔닝에 긍정적인 영향을 미칠 것이라고 믿습니다. 바슈타 페스트 (Bašta Fest) 는 다양한 영화, 음악 및 프로그램을 이 아름다운 지역으로 가져왔기 때문에 문화의 분권화에 매우 중요합니다. 축제의 우선 순위 중 하나는 수많은 방문객에게 놀라운 자연의 아름다움을 홍보하는 것입니다. 그럼에도 불구하고 우리의 주요 목표는 이 축제를 흥미 진진한 문화 오아시스로 전환하는 것입니다. 이 오아시스는 현지 및 국제 젊은 예술가들을 지원하고 단편 소설 영화에 진실성을 부여합니다. 주요 선택은 경쟁 단편 영화 프로그램이며, 두 영화는 비경쟁의 일부로 상영되며, 매년 개막식 중 하나, 개막식 중 하나는 특별 프로그램으로 상영됩니다. 마지막 상영은 세르비아 데뷔 장편 영화로, Bašta fest 팀이 전년도에 가장 성공한 영화로 선정되었습니다. 바슈타 (Bašta) 의 모든 상영 입구는 무료이며, 밤하늘 아래에서 항상 개최됩니다. 현재 두 개의 공식 축제 장소가 있습니다: 보리치 공원과 페루차크 호수.
2023년 11월 13일부터 16일까지 알바니아 슈코드라에서 열린 어린이 및 청소년을 위한 국제 영화제 “아니페스트로자파” 제14회 에디션.
Anifestrozafa2023 페스티벌의 국제 심사위원단은 유럽 어린이 영화 협회 ECFA와 협력하여 설립될 예정입니다.
예술적 가치에 대한 평가는 국제 심사위원과 8-12세 어린이 23명으로 구성된 특별 심사위원단에 의해 수행됩니다.
선정작에는 2024년 2월 베를린 페스티벌의 경쟁자로 선정되는 수상 영화 “ECFA 어워드”가 발표될 예정입니다.
제14회 어린이 및 청소년 국제 영화제에 출전할 영화는 2021년 6월 1일 이후에 제작되었어야 합니다.
마감.
참가자들은 규정에 따라 2022년 12월 10일부터 온라인 등록이 시작된다는 알림을 받습니다. - 20유로 지급
학생 영화 - 12 유로 지불
15분 이하의 단편 영화는 허용됩니다.
녹화하는 동영상 수에는 제한이 없습니다.
응모 양식을 작성하기 전에 "Anifestrozafa” 규정을 읽어보십시오.
결승전에 선정된 영화 목록은 2022년 9월 15일에 페스티벌 공식 웹사이트 http://anifestrozafa.org/ 에 게시될 예정입니다.
EVENT DATES. The XXII edition of the Guanajuato International Film Festival will be celebrated from July 19-28, 2019, in the cities of San Miguel de Allende and Guanajuato, Mexico.
