The International Film Festival of Lesbian, Gay, Bisexual, Transgender and Intersex (Cinema Movilh) is shown on feature films, shorts and documentaries largest and best known of Chile that takes place every year in Santiago and then travels sexual diversity regions. Local or foreign works can be projected at the Festival after postulating in the form indicated in these rules.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects.
NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all Poland, Lithuania, and Georgia.
We involve theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
Before you read the festival philosophy and history, let know worth reasons to be part of NEFILTRAVANAE KINO:
CONSIDERATION AND SHOWING
Your film is placed greater focus on and given due consideration. The movie will be shown on state-of-the-art film projection equipment on the large screen at the cinema theatre.
THE AUDIENCE, CROWDFUNDING
the Short Movie Club audience reached an amount 70k of filmmakers, students of film schools, cinema lovers, and film industry members from all over the world http://shortmovie.club/mediazone/
the Short Movie Club helps with crowdfunding campaigns of our selected participants.
http://shortmovie.club/crowdfunding/
REVIEW, COMMENTS, FEEDBACK
An in-depth review of the best films will be published with IMDb rating. We compile comments of viewers, cinephiles and experts. We establish connections between the filmmaker and the audience.
PARTY — AFTERPARTY
Yes, a party every day. It is the main reason…
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The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The project aims to provide building of Cinema-van mobile library amphibia https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia
The Outlet Dance Project is an annual festival of artists who identify or have identified as women, sharing their vision through film, site-specific dance, and work created for the stage. It is one of the largest, most popular, and well-attended dance festivals in New Jersey. In partnership with Grounds For Sculpture – an internationally renowned contemporary sculpture park – the festival celebrates the intersections of visual and moving arts, exploring relationships between sculpture and dance, between place and movement.
It is Trichy’s One and only film festival which is Running Successfully. This is 3rd Consecutive Year. A Competition for the Short films, Album songs, Documentaries and Dub smashes from worldwide. This award is with cash prize around 1Lakh* for the best Projects to be shared between the competitions.
Initiative:
In a Pioneering Initiative, 720 Degree Entertainment started this Trichy Film Festival on 15th August 2016 at Ravi Mini Hall with a decent crowd with 47 Entries. In Second year, Dot 3 Joined the Game and made a Massive year for Trichy Film Festival on 15th Aug 2017 at Star Theater with a huge crowd with 126 Entries. A highlight of the 2nd Trichy Film Festival is “Tamilnadu’s First Film Festival @ Theater” and now this Journey continuous.
Core Objective:
The Core Objective of Trichy Film Festival is to include a link between the Film Creators and the Film Industry. The Conducting of Film Festival all over the world, the Preservation and Propagation of Tamil Cinema to document the History of Tamil Cinema, the honoring of persons and films that contribute to the aesthetic of Tamil Cinema.
After the successful beginning, CINEMALAY, a primary film institute based on Nagaon of Assam (India) is ready to organise the second edition of Nagaon International Short and Documentary Film Festival 2019. We strongly believe that film making is one of the most insightful mediums through which we can recreate the world, and should not have to stick to conventional principles in order to be celebrated. Our festival aims to promote those who create art through the medium of film and continue to push the envelope in artistic creation.
We are a film festival organized by filmmakers, cine lovers, film students etc. Our main goal is to reduce the distance in between filmmakers and small town audience. For that we ONLY concern about quality cinema and nothing else. No hidden agenda. Our only goal is to award the talented filmmakers that can be found all around the world - from all walks of life. That's why we accept submissions from any country, any genre, and any filmmaker.
We can't wait to see your submissions!
FEES WAIVER IS NOT AVAILABLE.
Nova Frontier Film Festival and Lab is a timely, narrative, documentary and experimental film festival, passionately committed to enhancing the visibility of filmmakers from the African diasporas, Caribbean, Latin America and the Middle East, situated in Brooklyn, New York and Marseille, France - Cities which serves as a nexus between these regions. With a program of on-going film screenings, workshops, conferences, lectures, and concerts, we aim to create a hybrid film festival that promotes intercultural understanding and intellectual engagement through the art of cinema, while celebrating, deepening and expanding our connections to diverse communities, cultures and languages in New York and globally.
We accept short films and short films shot on smart phone or tablet. Stories have to be about African Diaspora, Middle East, Caribbean, Latin America and Maghrebian characters with the
theme Identity, and Immigration and interculturalism...
Welcome to Borobudur International Film Festival. Borobudur Temple is the biggest Buddhism temple and UNESCO World Heritage Site. This unique historical building is a pyramidal shape that built in the 9th century during the reign of the Sailendra Dynasty, and the structure is a mix of the Javanese Buddhist architecture, and the Buddhist concept, and located in the southern part of Central Java, at the center of the island of Java, Indonesia.
VISION AND
The Festival is established in honoring the glorious time of the past, to preserve the culture, and to popularize the history of human civilization, especially the Borobudur Temple to the international world through filmmaking.
Filmmakers, travelers, and history lover, artist, and students are welcome to submit their work.
We are searching for a high-quality films/documentaries with outstanding cinematography and touching stories that go inline with the vision of the festival, and carrying themes about historical places, tradition, ancient story, history, heroism, mystical, religious stories from the past, prehistoric, archaeology, folklore, verbal tradition, kingdoms, art, literature, and culture.
We are also looking for artist, sculpture, art maker, musician, dancer, painter, and people who care about ancient tradition to submit their work.
'SPHERE → WORLD CINEMA CARNIVAL' is introducing the world's largest and first multidisciplinary festival to celebrate the visual arts. We are here to showcase new art, new genres, new innovations, and exceptional stories. It is all about us, the people, and the world or beyond. Sphere festival is presently an autonomous initiative of WYND360 Foundation, a not-for-profit international company to enlarge the art and the artistic image worldwide.
We are faithful to several art forms and cinematic values. Our purpose is to introduce and develop the exceptional and powerful independent artist industry. We know and believe visual art is the only medium to transform the thinking process and generate a new profile in the world scenario.
Therefore, we are extremely excited to launch our first event worldwide. Kindly follow the links and turn the notifications on to get yourself updated with all our future news and initiative.
'Sphere' is introducing world's largest and first multidisciplinary international festival to celebrate the visual arts. We are here to showcase new art, new genres, new innovations, and exceptional stories. It is all about us, the people, and the world or beyond. Sphere festival is presently an autonomous initiative of WYND360 Foundation, a not for profit international company to enlarge the art and the artistic image worldwide.
We are faithful to several art forms and cinematic values. Our purpose is to introduce and develop the exceptional and powerful independent artist industry. We know and believe visual art is the only medium to transform the thinking process and generate a new profile in the world scenario.
Therefore, we are extremely excited to launch our first event worldwide. Kindly follow the links and turn the notifications on to get yourself updated with all our future news and initiative.
50 Film Festivals worth the entry fee - MovieMaker Magazine
20 essential International Film Festivals - MovieMaker Magazine
10 most exciting European Film Festivals - The Guardian
Mallorca International Film Festival enters its 13th edition, with a clear mission statement; BRIDGING CULTURES – BRIDGING PEOPLE. This is reflected in the film's storytelling, the shooting locations, or the cast and crew. The idea is to screen films that are inclusive, diverse, and invite the audience to experience a variety of languages and cultures.
MIFF is recognized as one of the fastest-growing international film festivals in Europe, using independent film to shape a creative community, allowing filmmakers to feel inspired, network, and thrive in this idyllic Mediterranean island paradise.
THE hub for networking, MIFF brings together the brightest local and international minds in cinema in Mallorca’s buzzing and the culturally rich city of Palma. For seven days EMIFF’s program is curated to showcase a culturally diverse, inclusive and provocative mix of feature films, short films, documentaries, music videos, films for kids, experimental films, animation shorts, student films and a feature film and short film screenplay competition.
Some of our resent programs included award winning films such as:
Triangle of Sadness
Corsage
Un Amor
Perfect Days
The Promised Land
With competitive screenings unfolding at the most striking island locations, MIFF is an ideal place for filmmakers to rub shoulders with industry professionals at the festival’s Producers Club, Cinematography Focus, Pitch Forum, and numerous workshops. Speakers and mentors have included Oscar Winners Erik Messerschmidt, ASC, Melissa Leo, Director Ruben Östlund, DP ED Lachman, Actor Mads Mikkelsen, Director Isabel Coixet and many more.
MIFF is proud to be part of MovieMaker’s list “TOP 50 Film Festivals Worth The Entry fee” SEVEN years in a row, as well as appearing continuously on the 100 Best Reviewed Film Festival list on Freeway, ranking in the top 1.5% of more than 10,000 film festivals and creative markets around the world.
Grimmfest 2024 is scheduled for 3rd to 6th October, teaming up with our regular venue partner Odeon Great Northern, for a live event.
Submissions will open from 1st November 2023 and all awards still apply.
Grimmfest has fast become one of the ‘go to’ genre film festivals in the World, now in its 16th year, the festival will see thousands of fans attend in early October at the Odeon Great Northern in Manchester UK. Hosting a plethora of horror, dark fantasy and sci-fi movie premieres alongside Q&As from many of the film makers and stars of the films; Grimmfest 2024 will be a massive celebration of genre cinema on the big screen.
The festival seeks the very best cutting edge and exciting new horror and genre movies to premiere in the north of the UK. Every selected film will benefit from extensive press coverage and will also be in the running for one of our prestigious Reaper awards. This year, films will be competing for these categories: BEST FEATURE, BEST DIRECTOR, BEST ACTOR, BEST ACTRESS, BEST SCREENPLAY, BEST SCORE, BEST CINEMATOGRAPHY, BEST SHORT, BEST SFX, BEST SCARE and the Converted AUDIENCE AWARD. The winners will be announced just after the festival in mid October.
GRIMMFEST continues to draw a huge community of genre film fans, press and guests to Manchester (UK) and was recently named as one of the best genre festivals in the world' by MovieMaker magazine.
Submissions for short and feature films open in November 2023.
Selected films will be viewed and voted on by a special Jury of genre experts.
This year’s Jury will be selected and announced before the festival.
Previous award winners have included: PIGGY, THE PASSENGER, MIDNIGHT, THE SADNESS, SLAPFACE, WERE ALL GOING TO THE WORLD'S FAIR, THE DEEP HOUSE, THE RIGHTEOUS, BLAST, RENT-A-PAL, ROPES, TIGERS ARE NOT AFRAID, WHY DON'T YOU JUST DIE, ANNA AND THE APOCALYPSE, HARPOON, EXTRA ORDINARY and many more.
Grimmfest is also now a member of the Melies International Festivals Federation. Therefore all selected European short films (Including UK) will be in the running for a Melies D'argent award as well as our own short film award. Our Melies D'argent award winner is then in the running for a Melies D'or, presented at Sitges film festival.
previous guests have included: Mick Garris (Sleepwalkers), Neil Marshall (Dog Soldiers), Alice Krige (She Wiil, Startrek), Reece Shearsmith (Inside No.9), Barbara Crampton (Re-animator), Dee Wallace (E.T.), Brian Yuzna (From Beyond), AJ Bowen (The Sacrament), Pollyanna McIntosh (The Walking Dead), Johnny Vegas (Eaten by Lions), Liam Cunningham (Game of Thrones), Claudio Simonetti’s Goblin, The Soska Sisters (Rabid), Steve Oram (Sightseers), Ross Noble (QI), Martin Kemp (Spandau Ballet), Patrick Mower (The Devil Rides out), Dominic Brunt (Wolf Manor, Before Dawn, Emmerdale), Robin Hardy (The Wicker Man), Matthew Holness (Garth Marenghi’s Darkplace), Alice Lowe (Sightseers), Shaun Evans (Endeavour, Boy A), The cast of Clive Barker’s HELLRAISER, Myanna Buring (Ripper Street, The Decent, Kill List) and many many more.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
Central Java, a province that has a long history of art, rich in language, arts, architecture, and rooted in literature and tradition. The usage of its language has emphasized the richness of the culture. It is spoken not only by the Java people, but also in Suriname, New Caledonia, and several parts in Malaysia.
Entering the digital era, we hope Central Java International Film Festival (CJIFF) could popularize the Java culture and history to the world, as well as to exchange the art and culture through filmmaking.
GUIDELINES FOR SUBMISSION
We are searching for film and documentaries about heroes and heroine, tradition, art, culture, literature, fable, ancient stories, ancient kingdoms, war, and touching films about humbleness, kindness, and inspirational films and documentaries. We hope to see excellent cinematography, exposing the beauty of filmmaking, but also trigger to watch unique and experimental ideas.
The International Les Femmes Underground is a film festival centred on the subversive, unique, and innovative. LEFUFF, showcases artists from all walks of life creating work which redefines the manner in which women are represented in mainstream cinema. Making its debut in 2016, Les Femmes Underground is premiering in Los Angeles as the first ever traveling women’s underground film festival. Les Femmes Underground was created as a response to the decline of feminist icons and role models in the media. As feminists, we believe it is our responsibility to empower new generations of young women to generate work which breaks away from society’s gendered roles. Les Femmes Underground seeks to premier first time under-represented emerging feminist film-makers and artists.
Post Alley Film Festival is a day-long screening event of female centric and eccentric short films celebrating established and emerging, creative filmmakers. The festival provides a venue for the female voice in film with thought provoking works that entertain and challenge. PAFF screens short films by women and men. It is unique in the Pacific NW. PAFF is sponsored by Women in Film Seattle www.womeninfilmseattle.org WIF Seattle is a professional organization that provides resources and opportunities for female filmmakers and promotes the interlacing of our filmmaker community. WIF Seattle is dedicated to promoting respect of women on and off set and screen.
A Femme International Film Festival is a premier festival that focuses on platforming women filmmakers “by women, for everyone”. Our Festival was created in 2005, when it became apparent that there was a need to enhance women behind the camera as Directors, Producers, and Writers. We were the first in Los Angeles to host such an event and film festival empowering women. All those that followed are just duplicates of the movement we started over a decade ago.
Through our Partners and Sponsors we have provided one-one-one meetings with our filmmakers or helped secure financing. CBS Entertainment Diversity Department and Sony Entertainment met with a selected group of our filmmakers with the goal to offer potential employment and/or placement as a director or writer under their diversity department. It is through our direct efforts that these opportunities are being secured for our LA Femme Int. Film Festival Filmmakers.
As LA Femme moves into the next few years, it plans to expand its platform so that more women in the industry and from around the world can have the benefit of taking their film to the next level through increased distribution outlets, more key positions in the entertainment industry and more recognition as artistic creators emerging as leaders in the industry.
Our goal is to create more such opportunities through exemplary programming, networking, and panel events. A classic professional atmosphere will create a sense of ‘opportunity’ for participants. LA Femme International Film Festival is “By Women for Everyone.”
Objectives:
To continually showcase and celebrate commercially viable films Written, Directed, or Produced by women.
To opening a pathway for women entering the industry by encouraging mentor-ship and artistic sharing between those women established in the field and those just beginning.
To Platform new emerging talent and support established women in cross-over roles.
To assist in distributing the feature films that are platformed in our festival with domestic theatrical releases and home video distribution.
Mission:
La Femme International Film Festival will support and nurture the artistic entertainment productions of women for the benefit of distribution to an international and domestic audience.
Emphasis:
»Our emphasis is on providing a complete specialized festival based on showcasing and celebrating commercially successful films written, directed, or produced by women and creating a system of access for those new to the industry directly to established women industry professionals.
»To assist in distribution of these films
»To mentor other women into positions of power in the independent and big budget, studio entertainment community.
Summary:
LA Femme Film Festival is more than a festival it is an emergence of artistic, professional women who make a difference in the entertainment community by creating productions that speak to a world wide audience. We were the first festival of its kind in Beverly Hills to not only platform existing films and artists but also distribute and mentor such films and the woman artists who created them.
Fiaticorti was born in 2000 from the idea of some members of Istrana’s “Youth Project”.
The event name was selected for two reasons: firstly, 'shortness of breath' (fiato corto) is the effect of physical effort of short duration (the same duration of short movies). Moreover, a film that can last up to 20 minutes is able to convey strong emotions to the viewer, leaving her or him 'out of breath'.
Initially, fiaticorti was condensed into a single evening, namely an awards night. However, from the 4th edition on, the format has been enhanced, and the festival develops over four stages, during which the best works are presented.
In 2006 the section FiatiVeneti was introduced, to reward short film-makers from the Veneto region.
2011 represented fiaticorti’s turning point. Not only did longtime artistic director Gianni Billio pass the baton to Bartolo Ayroldi Sagarriga (the new artistic director), Andrea Grespan and Simone Perotto, but the quality of the films in competition increased dramatically, together with the number of foreign participants, mainly from France, Great Britain, Romania and Spain. fiaticorti increasingly became an international event.
But the identity of the festival, connected to the Italian film club culture of the Seventies, has always remained the same. Its goal is that of transmitting culture and passion for short films. That’s why the artistic direction has chosen not to accompany the festival with events of other kinds.
