FECIR aims to offer Chilean and foreign filmmakers a space for dissemination, exhibition and exchange of ideas, promoting audiovisual artistic creation and its relationship with the public. It also gives the commune of Rengo, the VI Region and Country, a space for reflection and recreation around filmmaking.
SMR13 INTERNATIONAL INDEPENDENT FILM FESTIVAL
The SMR13 International Independent Film Festival is an annual, IMDb-certified, four (4)-day event held in the second half of November, in Saint-Mitre-Les-Remparts, in the south of France, near Marseille.
First and foremost, it's a physical festival, taking place in "La Manare", a dedicated performance hall with a total surface area of 1000m² and a capacity of 250 spectators.
The 9th edition of the SMR13 international independent film festival will take place from November XX to XX, 2024.
The festival stands out for its highly developed network, passionate members and trusted partnerships. It is a unique showcase for independent cinema, attracting professionals from all over the world.
Since its inception, the festival has been supported by a patron, an emblematic figure in independent cinema. John Carpenter (2018), director, screenwriter and composer (Halloween, The Thing, New York 1997...). Andréa Ferréol (2019), actress (La Grande Bouffe, Le Dernier Métro, La Scoumoune...). Francis Ford Coppola (2019), director and screenwriter (Godfather, Apocalypse Now, Dracula...). Virginie Lemoine (2020), actress (Famille d'Accueil, Nos années parallèles, Oscar...). Sean S. Cunningham (2021), director and producer (Friday The 13th, Spring Break, DeepStar Six...). Patrice Leconte (2022 and 2023), director and producer (Les Bronzés, Les Spécialistes, Maigret...).
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
VIDEOFESTIVALGIOVANI – is a place of encounter and confrontation for audiovisual products made by young people aged between 14 and 30 years old.
Aims to promote the dissemination of videos of girls and boys and is a showcase of creative works in the world of adolescence and youth.
Who can participate
Can participate in the contest, video products made autonomously by young people aged between 14 and 30 years, residents throughout the country and internationally.
One of the principal objectives of FICA - INTERNATIONAL ATHLETICS FILM FESTIVAL DONOSTIA-SAN SEBASTIAN 2019 is promoting the Athletic culture and its values by the audiovisual language and offering to the media, film directors, audiovisual industry agents and athletics professionals a meeting place in which they can exchange views and information.
The 9th Ajayu International Animation Festival is a cultural event organized by Sapa Inti Studios and the Ajayu Cinematographic Association. For the ninth consecutive year, it stands as the only animation festival in Peru, carrying out hybrid film and educational activities from the highest point of the Peruvian highlands to the world.
This event, which also includes various cultural activities, has become a crucial event for the Animation industry in our country over the years, also promoting the cultural and tourist industry in the southern region of Peru. Additionally, through our in-person activities, we aim to boost tourism in our region by creating a tourist route with a cultural and historical focus.
This year's festival will take place from October 2 to October 5, 2024, renewing the commitment to showcase the artistic expression of animation.
Participants include artists from the animated audiovisual field and other disciplines, from the Puno region, Peru, and various countries around the world, who through their expression make each edition a contemporary Andean experience.
Madero City International Film Festival (FICCMA), opens admissions for international producers and filmmakers to submit their short films to the festival's 8th edition, which will take place from November 21 to 24 of 2024.
LATIUM emerges as a festival that has the task of bringing together the best independent cinema in Latin America with the intention of promoting change towards a responsible lifestyle, promote the arts, education and social activism, by sensitizing the public for reasons social world. It also works as a forum for expression, dissemination and promotion of a genuine representative of our culture and Latin American cinema, catapulting new talent and consolidating it as a viable option for the creation of independent audiovisual productions. And the creation of a network of organizations and institutions that share and promote activities for solving social and environmental issues.
OBJECTIVE
The Festival proposes to convene and disseminating films that contribute, from its significance and its artistic values, the enrichment and reaffirmation of Latin American cultural identity; and catapult new talent as a viable option for the creation and enlargement of the Latin American audiovisual market.
'Gardunha Fest' happens every two years, in the city of Fundão, Portugal. We are organizing our 4th.
Histérico- Associação de Artes. headquartered at Fundão, it aims at multidisciplinary artistic creation in the areas of theater, dance, music, plastic arts and multimedia, as well as the organization and production of cultural events
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects.
NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all Poland, Lithuania, and Georgia.
We involve theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
Before you read the festival philosophy and history, let know worth reasons to be part of NEFILTRAVANAE KINO:
CONSIDERATION AND SHOWING
Your film is placed greater focus on and given due consideration. The movie will be shown on state-of-the-art film projection equipment on the large screen at the cinema theatre.
THE AUDIENCE, CROWDFUNDING
the Short Movie Club audience reached an amount 70k of filmmakers, students of film schools, cinema lovers, and film industry members from all over the world http://shortmovie.club/mediazone/
the Short Movie Club helps with crowdfunding campaigns of our selected participants.
http://shortmovie.club/crowdfunding/
REVIEW, COMMENTS, FEEDBACK
An in-depth review of the best films will be published with IMDb rating. We compile comments of viewers, cinephiles and experts. We establish connections between the filmmaker and the audience.
PARTY — AFTERPARTY
Yes, a party every day. It is the main reason…
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The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The project aims to provide building of Cinema-van mobile library amphibia https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia
So you'd like to submit your film to our festival? Great idea!
It's the fifth year for the British Documentary Film Festival, and we're accepting submissions of any and every type of documentary! We're happy to offer an eclectic line up from film-makers keen to get their documentary screened in London at a top venue like the Empire Cinema!
International Fantastic Film Festival of Castilla y León "Terroríficamente Cortos" born from enthusiasm and love for the cinema of palencian young and the need to boost the cultural and leisure in the city of Palencia on it involving institutional and business sector of the Spanish province.
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
Competition notice
The Association Rive Gauche – Festival, Florence, Italy, is pleased to announce the entries have been opened for the session of 8th Firenze FilmCorti Festival. Festival will held from May 04th to May 08th, 2021, for the following sections:
1 Short film in competition
2 Documentary
3 Cartoons and film for young audience
4 Innovative & experimental film.
Venue: Murate Art District
Piazza Le Murate
Florence, Tuscany 50122
Italy
Last and definitive deadline will be on August 20.
Festival accepts movies of interest for gay, lesbian, bisexual, intersexual and transexual people. To participate in the competitive section (prizes), these films should have not been programmed on TV, screened in comercial venues or another spanish festival excluding the organized by Fundacion Triangulo. In any case, copyleft or copyright should be later than 2022.
New York Shorts International Film Festival features over 340 short films, special events, talks, retrospectives films, and tributes with honored guests, establishing New York Shorts as one of the finest exhibitions of short films in North America.
Now in our 13th year, New York Shorts International Film Festival is the largest short film festival on the East Coast. A non-profit organization that provides a showcase for emerging filmmakers from around the world.
New York Shorts is a qualifying film festival for the Canadian Screen Awards, presented by The Academy of Canadian Cinema and Television. We are the only short film festival in New York on the Canadian Screen Awards eligible festival list.
The festival has become a career stepping stone, establishing a tradition of discovering and promoting filmmakers who have gone on to become Academy Award® Nominees.
Previous film selections include:
2023 Student Academy Award® Duet by Lyuwei Chen - Winner New York Shorts Best Documentary
2023 OSCAR® NOMINEE Live-Action Short Film, The Red Suitcase by Cyrus Neshvad winner New York Shorts 'Best International Film'
2022 OSCAR® WINNER Documentary, Short The Queen of Basketball by Ben Proudfoot
2020 OSCAR® WINNER Live-Action Short Film, "The Neighbors" Window" by Marshall Curry winner New York Shorts 'Best of Fest'
2020 OSCAR® NOMINEE Documentary Short Subject The New York Times Op-Docs "Walk Run Cha-Cha" by Laura Nix and Colette Sandstedt
2019 OSCAR® NOMINEE Animated Short "Animal Behaviour" by Alison Snowden and David Fine
2015 OSCAR® NOMINEE "The Dam Keeper" by Robert Kondo, Daisuke Tsutsumi
2013 Student Academy Award® "A World for Raúl" by Mauro Mueller wins New York Shorts Best Drama
2012 OSCAR® NOMINEE & BAFTA Best Short Animation "A Morning Stroll" by Grant Orchard, Sue Goffe
2012 World premiere "Derek" by Ricky Gervais wins New York Shorts Best Comedy and became a popular British television show picked up by Netflix.
New York Shorts International Film Festival is one of the largest showcases of short films in North America and an ideal platform for filmmakers to screen their films and gain recognition in New York City.
New York Shorts events include receptions, as well as workshops with industry experts and top filmmaking professionals sharing their practical advice to attending filmmakers.
2023 Industry Events
Industry Master Spotlight w/ BAFTA Nominated Director Jon Amiel
Industry Master Spotlight w/ Academy Award® Winning Producer Andrew Carlberg
Industry Short Film Spotlight w/ Academy Award® Winning Director Chris Overton
2022 Industry Events
Tribute to legendary film director Bob Giraldi
Spotlight Screening from George R.R. Martin's (Game of Thrones creator)
Beyond The Screen with Ben Proudfoot (Oscar® winning documentary director)
Film Retrospective Kim Magnusson (producer/director of seven Academy Awards® nominations and two Oscar wins)
Film Tribute to cinematographer Halyna Hutchins
New York Shorts believes short-form cinema and its filmmakers should have their own premier film festival in New York deserving similar recognition given to feature films.
The heart of the festival is the quality and scope of extraordinary film programming to enthusiastic audiences in the vibrant filmmaking enclave of New York City.
The topic of the work will be the violence of gender, in any of its manifestations, its prevention and sensitization against it, being able to present documentaries and short films of plot fiction. The jury will have special consideration for those works that address this issue by focusing on the youth world.
