The Rough Features – BAM Labs call is aimed at Colombian production companies with at least two years of legal existence. It seeks feature films in post-production, including fiction, documentary, animation, or hybrid projects, with a first narrative cut and a minimum duration of 70 minutes that have not yet been released.
Applications open on November 13, 2025, and close on January 8, 2026, at 3:59 p.m. Colombia time. Project evaluations will take place from March 9 to 26, 2026, and selected projects will be announced between March 27 and 31, 2026.
Selected projects will participate in the editing and screening lab of BAM Labs, during the Bogotá Audiovisual Market week, scheduled from July 6 to 10, 2026. This call is exclusively national and does not accept international submissions. It offers an opportunity for feature films in post-production to receive professional feedback and support in their final editing and presentation process.
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Stories - BAM
The Slow Cinema Workshop-Residency at IbizaCineFest will take place from February 20 to 28, 2026, in Ibiza, Spain. This program functions as a creative and educational laboratory focused on exploring contemplative cinema, known as slow cinema. It is not a competition for pre-existing works; participants will develop and produce an audiovisual piece during the workshop, such as a city portrait or a self-portrait.
The call is open to individuals of any nationality, with no restrictions on film genre, emphasizing practice and observation rather than completed project submissions. Attendees will receive theoretical and practical training in cinematic language, editing, observation, and filming techniques, fostering the development of a personal vision and unique style.
The workshop includes accommodation in Ibiza, internal transfers, and festival accreditation, though international transportation and personal filming equipment are not covered. Registration is done directly through the organizers, and interested participants must apply before the submission deadline set by the festival.
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TALLER SLOW CINEMA CON JIAJIE YU YAN
The theme of the scripts is completely free and may belong to any genre. All works submitted must be original. If the contestant uses a novel, a short story or a text by another author as the basis for the script, the contestant must include in his or her registration the corresponding authorization from the author of the original work.
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Script Competition - IBIZACINEFEST
VdR–Pitching is an international platform within the Visions du Réel festival that supports feature-length documentary projects in advanced development. Its aim is to connect filmmakers with industry professionals to facilitate funding, co-production, and distribution. The call is open to projects over 60 minutes, with a creative approach and international potential. Both debut and experienced filmmakers can participate, provided the projects are original and not yet in production.
Selected projects participate in pitch sessions in front of experts and receive mandatory pitch training. Documentation is required in English, including synopsis, treatment, visual references, preliminary budget, and team CVs. Narrative innovation and the potential for international reach are highly valued.
Projects may also be eligible for development awards, including the Eurimages Co‑Production Development Award, which encourages international co-productions. The call includes submission deadlines and presentation sessions, with travel and accommodation costs covered by participants, although partial support may be available. VdR–Pitching offers a unique opportunity to gain professional visibility and support for creative documentaries in development.
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VdR–Pitching
The VdR–Work in Progress call from the Visions du Réel festival targets feature-length documentaries in the advanced stages of post-production. Projects must have at least 10 minutes of edited material and will have the chance to be presented to industry professionals such as distributors, sales agents, TV channels, and festivals.
Projects from all over the world are eligible, as long as they are feature-length documentaries nearing completion. Selection is based on artistic quality, international potential, financial viability, and the experience of the team. Attendance of both the director and producer at the event is mandatory if selected.
The main goal is to facilitate professional connections, access to finishing funds, and support the film’s distribution and festival strategy. Applications are submitted online in English, with English subtitles required for audiovisual material in other languages, and a small participation fee applies. Selected projects receive accreditation, pitch training, and participation in presentations and one-on-one meetings with industry professionals.
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VdR–Work in Progress
