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At the border  Tolga Bedir 
Aug-2025


28'  Turkish Germany


Erdem has been living alone for a long time in an isolated house right near the border. He spends his days chatting with an artificial intelligence, but his loneliness is gradually increasing. Nevertheless, he takes care of himself; he exercises regularly at home and is prepared for possible dangers near the border. That evening, the usual silence gives way to [...]

Erdem has been living alone for a long time in an isolated house right near the border. He spends his days chatting with an artificial intelligence, but his loneliness is gradually increasing. Nevertheless, he takes care of himself; he exercises regularly at home and is prepared for possible dangers near the border. That evening, the usual silence gives way to an unexpected event.

While preparing his dinner, Erdem’s door rings. At first, he approaches the door in surprise; on the other side of the door stands a young woman, Aisha, seeking help. Her voice is filled with pain. Erdem lets her in at the cost of escaping his loneliness. Aisha, lying unconscious on the couch, gradually opens her eyes and regains her senses. Erdem immediately gives her food and drink. As she eats with great appetite, a silent bond forms between them, and shortly after, they begin to talk. Erdem tells her she can spend the night there, but emphasizes that she must leave in the morning.

The next morning, Erdem is about to return to his loneliness, thinking that the woman has left. Just as he is about to activate the artificial intelligence, Aisha suddenly appears beside him. Erdem is caught between surprise and happiness. They prepare breakfast together; however, Aisha suddenly begins to cry for no apparent reason and does not explain why.

The next evening, as they silently look toward the border from the balcony, suddenly a bomb falls very close to them. In panic, they run into the house and hide. This incident causes them to grow even closer to each other and to make physical contact. While everything seems calm for a while, on the evening of the second night, they are watching a movie together when the door rings again. Erdem tells Aisha to be quiet and approaches the door. No sound comes from outside; when he slightly opens the door, a large man from outside jumps in and attacks.

Erdem neutralizes the first man; but then a second, much stronger man also enters. After a tough struggle, Erdem manages to defeat the second man as well. During the struggle, he hears the last man call out “Aisha” to her. Once calm returns, Aisha comes to him, but Erdem pushes her away suspiciously. Erdem asks her who the man he killed was. Aisha admits that she only followed the orders given to her and that Erdem has long been a wanted fugitive.

Erdem, in a sudden outburst of anger, shakes Aisha, and she begins to cry. Shortly after, Erdem softens again; but just then, the door rings for the third time. This time, a military unit lands in the house’s yard. Erdem asks Aisha what is happening; she says she knows nothing. The two have no choice but to escape and leave the house through the back door by car. However, they are unaware that the artificial intelligence in the house is actually an agent and has been reprogrammed by the military to follow them.


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Category:  Fiction  Terror  Other 

Genre:  Action  Drama  Science Fiction  Thriller 

Recommended Age:  16+



 
‹ ›
 
Director


Tolga Bedir

Turkey
Biofilmography

English:
Tolga Bedir was born in Istanbul. In 1988, he entered the violin department of the MSU State Conservatory and, as a child, performed in numerous operas. In 1992, at the age of 11, he played one of the leading roles (Kurt) in the musical opera "The Sound of Music" at the Atatürk Cultural Center (AKM). During the same years, he studied for two years at the Muhsin Ertuğrul Theater.

He later completed his studies in violin (2002) and composition (2010) at the Mimar Sinan University State Conservatory. In 2005 and 2006, he also studied jazz composition at the Berklee College of Music with a 45% scholarship.

His interest in theater and film led him to begin making short films with his first DSLR camera (Nikon D51) in 2012. That same year, he set up his own music studio. From 2014 to 2015, he participated in workshops with director Sinan Şensivas at the Istanbul Oktostore.

His first film, "Five Senses Beşiktaş," reached the top 10 among approximately 500 films at the KFM Film Festival. In 2018, he collaborated with Onur Ünlü, one of Turkey's most renowned directors. Together with Korhan Futacı, he composed the music for the television series Dudullu Postası and for the film Manyak, directed by Onur Ünlü.

Between 2019 and 2020, he also studied at the Şahika Tekand Theater. He has been working in the music industry for approximately 24 years, working on music projects for TV series and films.

German:
Tolga Bedir wurde in Istanbul geboren. 1988 trat er in die Violinabteilung des Staatlichen Konservatoriums der MSU-Universität ein und wirkte bereits als Kind in zahlreichen Opern mit. 1992, im Alter von 11 Jahren, spielte er eine der Hauptrollen (Kurt) in der Musical-Oper „The Sound of Music“ im Atatürk-Kulturzentrum (AKM). In denselben Jahren studierte er zwei Jahre am Muhsin-Ertuğrul-Theater.

Später schloss er das Studium der Violine (2002) und der Komposition (2010) am Staatlichen Konservatorium der Mimar-Sinan-Universität ab. 2005 und 2006 studierte er außerdem Jazz-Komposition am Berklee College of Music mit einem 45%-Stipendium.

Sein Interesse an Theater und Film führte 2012 dazu, dass er begann, Kurzfilme mit seiner ersten DSLR-Kamera (Nikon D51) zu drehen. Im selben Jahr richtete er sein eigenes Musikstudio ein. In den Jahren 2014 bis 2015 nahm er an Workshops des Regisseurs Sinan Şensivas am Istanbul Oktostore teil.

Mit seinem ersten Film „Five Senses Beşiktaş“ erreichte er unter etwa 500 Filmen beim KFM-Filmfestival die Top 10. 2018 arbeitete er mit Onur Ünlü, einem der bekanntesten Regisseure der Türkei, zusammen. Gemeinsam mit Korhan Futacı komponierte er die Musik für die Fernsehserie Dudullu Postası sowie für den Film Manyak, der von Onur Ünlü inszeniert wurde.

Zwischen 2019 und 2020 studierte er zudem am Şahika-Tekand-Theater. Seit etwa 24 Jahren ist er in der Musikbranche tätig und arbeitet an Projekten für Musik in TV-Serien und Filmen.




Cast & Crew

Semih Gurur Özçelik
Lead actor / actress

 
Sara Balıkçı
Lead actor / actress

 
Emre Sabancı
Camera operator

 
Eray Necmi Büken
Supporting actor / actress

 
Emre Sabancı
Extras

 
Nisa Kömcü
Assistant editor

 
Ulaş Kurugüllü
Voice over

 
Onur  Akoğlu
Sound editing

 
Sitare Bilge
Voice over

 
Merih  Ermakastar
Voice over

 
Ayşegül Ergün
Location manager

 
Ayça Yay
Executive Producer

 





 
 
 
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